Flemish Baroque Era Painter, 1564-1635 known as Josse de Momper, is one of the most important Flemish landscape painters between Pieter Brueghel the Elder and Peter Paul Rubens. Brueghel's influence is clearly evident in this many of de Momper's paintings. Born in 1564 in Antwerp, Joos de Momper was first apprenticed to his father. In the 1580s, he travelled to Italy to study art. De Momper primarily painted landscapes, the genre for which he was well-regarded during his lifetime. He painted both fantasy landscapes, viewed from a high vantage point and employing a conventional Mannerist color transition of brown in the foreground to blue and finally green in the background, and more realistic landscapes with a lower viewpoint and more natural colors. His wide panoramas also feature groups of figures. Only a small number of the 500 paintings attributed to De Momper are signed, and just one is dated.  Related Paintings of Joos de Momper :. | Mountain Scene with Bridges | Mountain landscape with campers and a broken tree | Winterlandschaft | Winter Landscape with The Flight into Egypt | A Flemish Market and Washing-Place |
Related Artists:
BORGIANNI, Orazio
Italian Baroque Era Painter, 1578-1616 Orazio Borgianni (c. 1575 - buried 15 January 1616) was an Italian painter and etcher of the Mannerist and early-baroque periods. He was the stepbrother of the sculptor and architect Giulio Lasso. Borgianni was born in Rome, where he was documented in February 1604. He was instructed in the art of painting by his brother, Giulio Borgiani, called Scalzo. The patronage by Philip II of Spain induced him to visit that Spain, where he signed an inventory in January 1605. He returned to Rome from Spain after April 1605 at the height of his career, and most of the work of his maturity was carried out 1605-16. In Spain, he signed a petition to begin an Italianate academy of painting and executed a series of nine paintings for the Convento de Portacoeli, Valladolid, where they remain. From his time in Spain, there remain two of his paintings in the Prado Museum: St Christopher and the Stigmatization of St Francis. On his return to Rome he was patronized by the Spanish ambassador, for whom he painted several pictures, and he was also employed in painting for the churches. He painted as late as 1630. after which he returned to Spain. He frescoed in the apse of the church of San Silvestro in Capite in Rome, a Martyrdom of S.Stefano I and a Messengers of Constantine call on Saint Silvestro (1610). His canvas of San Carlo Borromeo in the church of San Carlo alle Quattro Fontane (1612) is an eclectic and emotive synthesis of both Carracci and tenebrist styles. The influence of Caravaggio is also evident in a painting of the same saint (1616) now in the Hermitage Museum. A lively self-portrait of an earnest, somewhat foppish Borgianni is in the Rome Galleria Nazionale d'Arte Antica.
Felix-emile Taunay
painted Rodrigo de Freitas Lagoon in 1828
James hardy jnr.
1801-1879